I just got off the phone to Margaret Blades. She is jetlagged and excited. She’s just toured
Europe as associate concertmaster with the Asia Pacific United Orchestra and is
returning to Perth for a concert with her new ensemble Swan Virtuosi. All this
between her full time job as Associate Concertmaster with the WA SymphonyOrchestra.
‘You find the energy to make it happen because the chance to
play this music makes it worthwhile,’ Blades said with typical enthusiasm.
The forty-five year old has been a loyal anchor for the WASO
string section for six years, adding much-needed stability during transitions
between concertmasters John Harding and Giulio Plotino and principal conductors
Matthias Bamert, Paul Daniel and (incoming) Asher Fisch. More recently Blades has
been a mentor figure for the influx of new young string players including
twenty-five year old Louise McKay.
McKay’s appointment as associate principal cello and the
return of ex-Australian String Quartet viola player Sally Boud to Western
Australia is what prompted Blades to form Swan Virtuosi.
The ensemble members may have high calibre pedigree but their vision is remarkably down-to-earth.
“We want to try and play to the community, to bring music
back to where it should be and give people a sense of involvement.”
Instead of performing in ballrooms and concert halls the
trio’s first concert was held at the Leederville Town Hall and the free tickets
were - unsurprisingly - gone within days. Their next concert, featuring
Mozart’s Divertimento for string trio and Kodaly’s Duo for cello and violin, is
at the Subiaco Arts Centre on Sunday.
Blades originally hails from South Australia where she studied
violin at the Adelaide Elder Conservatorium and the University of Tasmania
Conservatorium. She followed her sister Mary-Anne Blades (associate principal
flute) to WASO in 2006 following stints with the Australian Chamber Orchestra,
Sydney Symphony and ten years as associate concertmaster with the Adelaide
Symphony.
Blades’ passion for music includes teaching and she has
established a private string studio from her home in Leederville. Her interest
in pedagogy inspired a recent trip to the Mozarteum Academy in Salzburg to attend
classes with the giants of French and Russian violin teaching Pierre Amoyal and
Dora Schwarzberg.
“It is important living in Australia to check out what is happening
around the world. Pierre Amoyal would tell anecdotes of being taught by the
great Jascha Heifetz, it was great.”
Blades’ European trip concluded with the Chinese-initiated Asia
Pacific United Orchestra tour. Musicians from over twenty countries met to
perform in Vienna, Prague, Estonia and Helsinki and to her surprise Blades
found herself sitting alongside concertmaster John Harding again.
“It was great to see him again, he is still in great form as
a concertmaster. The tour was incredibly well organised with near-capacity
audiences. China is a world super power and they are making things happen in
the arts too. The philosophy of cultural exchange was fantastic, especially
since the Asia-Pacific region is becoming so crucial to the world economy.”
With all her experience is it tempting to look for a role as
concertmaster?
“I’m genuinely happy in my position as associate concertmaster.
It allows more energy for chamber music and teaching. And Perth is a place
where creativity can flourish if you have the support. It is an exciting place
to be.”
Swan Virtuosi Subiaco Arts Centre Sunday 2pm
It is great to see an ensemble formed from these players. While not having heard Margaret Blades, Sally Boud is of course well known from her Tankstream and ASQ years. Tankstream I followed after heaering their MICMC performances. Louise McKay I first heard playing the Prokofiev sonata in a masterclass at the 2008 Adelaide Cello Festival. She was, arguably, the outstanding student at that festival and came back three years later to impress again playing Eliot Carter.
ReplyDeleteSo toi, toi, toi to the new ensemble. Australia needs a really good string trio, not only to play the string repertoire (trios and duos), but also to join with pianists from time to time to present the rich piano quartet genre.
Lets hope they come east some time soon.
Hi John
ReplyDeleteGreat to hear the ensemble is generating national interest. I like the idea of them teaming up with a pianist for the piano quartet repertoire.
Will let you know how their concert goes on Sunday!